Football is Nothing Without Fans – Matt Busby
Bellshill’s finest football thinker, Matt Busby, predicted the uncanny experience of people watching cultural and sporting events take place in empty spaces during the Covid-19 pandemic.
I’m currently writing a book about theatre in-the-round for Methuen Drama (Bloomsbury) and the pandemic has caused me to re-think my introduction to this monograph entirely. My view is that the recent ‘presence of absence’ of the spectator in live streams from stadia and performance spaces has re-emphasised the value, and therefore the influence of audiences on cultural and sporting organisations. (more…)
At the beginning of June, CCSE had the perhaps slightly unexpected pleasure of one again hosting our annual conference virtually. As CCSE Director – Prof Gayle McPherson – pointed out in her opening remarks; at the time of our first virtual outing in May last year, there were few among us who believed we’d be gearing up for a second digital event just over twelve months later.
Home offices, dining, kitchen and side tables served as our venue once again and everyone bore responsibility for their own tea and biscuits. While far from the traditional conference offering, it is potentially the case that the widespread development of digital – and in future hybrid – events will be one of the longterm legacies of the pandemic response, ultimately enabling greater engagement with a wider audience. (more…)
Over the past five years I’ve been in business as Gatekeeper Art. My small creative business is my full time occupation and when asked what I do I usually term myself as an artist and social historian with a community practice. I wrote a blog recently for CCSE called “Welcome to the Lockdown Lounge” which outlined how I had with my social historian “hat” on been designing and delivering heritage/ cultural related workshops online. (more…)
In response to the COVID-19 pandemic and resulting lockdowns, many museums developed and put in place online digital offerings. This prompted quite a lot of handwringing and self-reflection across the sector, as well as for me personally. I immediately felt slightly guilty – what is the point of a museum? Is it really that important? Is it relevant? Who are we for? Why are we here?
Big questions… (more…)
On September 1939, at the start of the start of World War II, the government ordered the closure of all theatres throughout Britain, fearing that large congregations of people would be susceptible to aerial bombardment. It was quickly realised that theatres were vital to the morale and wellbeing of the general public and The Gaiety Theatre, Ayr was the first in Britain to open its doors providing welcome entertainment to the public and troops stationed locally. (more…)
The Centre for Culture, Sport & Events is delighted to invite you to our virtual annual conference. The event ‘Recovery, Repair & Renewal: The role of arts and culture in the future of urban places’ will take place on Wednesday 9th June 2021.
The Centre for Culture, Sport and Events, CCSE, undertakes research, consultation and knowledge exchange work aligned with our four key themes: