At the beginning of June, CCSE had the perhaps slightly unexpected pleasure of one again hosting our annual conference virtually. As CCSE Director – Prof Gayle McPherson – pointed out in her opening remarks; at the time of our first virtual outing in May last year, there were few among us who believed we’d be gearing up for a second digital event just over twelve months later.
Home offices, dining, kitchen and side tables served as our venue once again and everyone bore responsibility for their own tea and biscuits. While far from the traditional conference offering, it is potentially the case that the widespread development of digital – and in future hybrid – events will be one of the longterm legacies of the pandemic response, ultimately enabling greater engagement with a wider audience. (more…)
On September 1939, at the start of the start of World War II, the government ordered the closure of all theatres throughout Britain, fearing that large congregations of people would be susceptible to aerial bombardment. It was quickly realised that theatres were vital to the morale and wellbeing of the general public and The Gaiety Theatre, Ayr was the first in Britain to open its doors providing welcome entertainment to the public and troops stationed locally. (more…)
The Centre for Culture, Sport & Events is delighted to invite you to our virtual annual conference. The event ‘Recovery, Repair & Renewal: The role of arts and culture in the future of urban places’ will take place on Wednesday 9th June 2021.
The Centre for Culture, Sport and Events, CCSE, undertakes research, consultation and knowledge exchange work aligned with our four key themes:
During the 1980’s and 90s, when social enterprise was an innovative concept in Scotland, Strathclyde Regional Council, Objective 3 Partnership and the Scottish Centre for Regeneration were surprised when Fablevision board members thanked them for turning down applications for funding on the grounds that we were ‘not sustainable’. Having funding bids rejected forced Fablevision artists, like most other creative practitioners, to develop other, entrepreneurial business models that would allow them to continue their practice without compromising their vision or values and we thanked them for forcing us to be independent. Over the ensuing decades, Fablevision inherited furniture from Strathclyde Regional Council when they shut up shop; computer equipment from Objective 3 Partnership when they closed and co-created learning materials on the demise of the Scottish Centre for Regeneration. The ‘unsustainable’ small cultural social enterprise outlasted all the big beasts. Like other small cultural organisations, we were light on our feet – able to adapt and pivot creatively and meet the new requirements of whatever adverse social/economic/political circumstances presented. There is a joke in community based cultural practice that practitioners of these arts are like ‘cockroaches will be after the nuclear holocaust – they will be the only living things to survive’. (more…)
At the beginning of 2020, colleagues from STAR Project, Renfrewshire Council and the University of the West of Scotland organised a workshop, Paisley Art & Soul. The workshop brought together members of Renfrewshire’s local communities and other stakeholders to discuss the ways that art and culture affects individual and community prosperity and wellbeing. This co-produced research project aligns closely with the aims of Future Paisley, a wide-ranging cultural regeneration programme currently ongoing and, in which, local communities are collaborating with a broad range of partners to reshape the town’s future. (more…)
In the early spring, plans for our upcoming Annual Symposium – to be hosted at the University in May, 2020 – we well underway. And then, the COVID19 pandemic arrived.
By the end of March, 2020 we – based at UWS – along with colleagues from across our networks of collaborators, stakeholders and associates were finding our feet in the ‘new normal.’ For many of us, this included working from home for the foreseeable future. (more…)