Recovery, Repair, Renewal: Conference Video

Recovery, Repair, Renewal: Conference Video

At the beginning of June, CCSE had the perhaps slightly unexpected pleasure of one again hosting our annual conference virtually. As CCSE Director – Prof Gayle McPherson – pointed out in her opening remarks; at the time of our first virtual outing in May last year, there were few among us who believed we’d be gearing up for a second digital event just over twelve months later.

Home offices, dining, kitchen and side tables served as our venue once again and everyone bore responsibility for their own tea and biscuits. While far from the traditional conference offering, it is potentially the case that the widespread development of digital – and in future hybrid – events will be one of the longterm legacies of the pandemic response, ultimately enabling greater engagement with a wider audience. (more…)

Looking to the Future!…

Looking to the Future!…

Over the past five years I’ve been in business as Gatekeeper Art. My small creative business is my full time occupation and when asked what I do I usually term myself as an artist and social historian with a community practice.  I wrote a blog recently for CCSE called “Welcome to the Lockdown Lounge” which outlined how I had with my social historian “hat” on been designing and delivering heritage/ cultural related workshops online. (more…)

Big Questions & Resourceful Answers: V&A Dundee’s Covid 19 Response

Big Questions & Resourceful Answers: V&A Dundee’s Covid 19 Response

In response to the COVID-19 pandemic and resulting lockdowns, many museums developed and put in place online digital offerings. This prompted quite a lot of handwringing and self-reflection across the sector, as well as for me personally. I immediately felt slightly guilty – what is the point of a museum? Is it really that important? Is it relevant? Who are we for? Why are we here?

Big questions… (more…)

Illuminating a Dark Theatre: Arts, Community, COVID19, Theatre, Cultural Heritage, Culture, Digital

Illuminating a Dark Theatre: Arts, Community, COVID19, Theatre, Cultural Heritage, Culture, Digital

On September 1939, at the start of the start of World War II, the government ordered the closure of all theatres throughout Britain, fearing that large congregations of people would be susceptible to aerial bombardment.  It was quickly realised that theatres were vital to the morale and wellbeing of the general public and The Gaiety Theatre, Ayr  was the first in Britain to open its doors providing welcome entertainment to the public and troops stationed locally. (more…)

Recovery, Repair & Renewal: The role of arts and culture in the future of urban places

Recovery, Repair & Renewal: The role of arts and culture in the future of urban places

The Centre for Culture, Sport & Events is delighted to invite you to our virtual annual conference. The event ‘Recovery, Repair & Renewal: The role of arts and culture in the future of urban places’ will take place on Wednesday 9th June 2021.

The Centre for Culture, Sport and Events, CCSE, undertakes research, consultation and knowledge exchange work aligned with our four key themes:

(more…)

Signs of ‘Normal’ Life? A Moment of Interest

Signs of ‘Normal’ Life? A Moment of Interest

As we tentatively emerge from our third lockdown in the course of the strangest of years it is possible to glimpse the ways in which our cultural lives might be returning to some kind of ‘normal.’ For example in recent days, we have seen the first steps towards the return of audiences and participants at sporting and social events. Mark Selby lifted his fourth World Snooker Championship crown in front of a capacity crowd in Sheffield; football has been played in front of fans, V&A Dundee welcomed visitors back with an exploration of the relationship between club culture and design: Night Fever, Designing Club Culture and some of Liverpool’s clubbers were able to dance a night away while simultaneously providing an opportunity for policy advisors and policy makers to test the waters regarding wisdom of enabling us to emerge from lockdown and make a return to our former patterns of cultural and social engagement. In these events – and the managed return to co-proximity and co-presence that they signify – it’s possible to recognise and return to what can seem as a former life (though, Brighton Pride has been cancelled for the second year running demonstrating that the route back to ‘normality’ is not free of obstacles). (more…)