This Thursday, I complete my last day at UWS before I move back to France to start a permanent job as a Lecturer in Geography at the University of Amiens. As I have been a member of CCSE over the last two years as a Postdoctoral Fellow on the FESTSPACE project, I thought that it would be a good time to pen some reflections on my time here. In this post I’ll discuss the role it has played in my trajectory as a researcher and share some of the outcomes of the work that I undertook with the CCSE team. (more…)
The global COVID-19 pandemic has caused significant changes to the way we live our lives and interact with others. This was only too evident with national lockdowns putting an end to all but essential contact in early 2020. Being reliant on social contact and interaction, the global events industry all but ground to a halt and while this dynamic industry is used to evolving and adapting to its external environment, the COVID-19 pandemic presented unprecedented challenges with the postponement or cancellation or live face-to-face events around the world. The impact upon the industry was devastating with businesses closing, workers being made redundant or furloughed, and freelancers facing an uncertain future. The very nature of the industry meant that it was one of the first to close but would be one of the last to reopen – indeed, while we are starting to see a return of some live events throughout the summer of 2021 the ongoing uncertainty surrounding social distancing and concerns about the underwriting of insurance have meant that many iconic events have made the hard decision to cancel for a second year running. (more…)
At the beginning of June, CCSE had the perhaps slightly unexpected pleasure of one again hosting our annual conference virtually. As CCSE Director – Prof Gayle McPherson – pointed out in her opening remarks; at the time of our first virtual outing in May last year, there were few among us who believed we’d be gearing up for a second digital event just over twelve months later.
Home offices, dining, kitchen and side tables served as our venue once again and everyone bore responsibility for their own tea and biscuits. While far from the traditional conference offering, it is potentially the case that the widespread development of digital – and in future hybrid – events will be one of the longterm legacies of the pandemic response, ultimately enabling greater engagement with a wider audience. (more…)
The Centre for Culture, Sport & Events is delighted to invite you to our virtual annual conference. The event ‘Recovery, Repair & Renewal: The role of arts and culture in the future of urban places’ will take place on Wednesday 9th June 2021.
The Centre for Culture, Sport and Events, CCSE, undertakes research, consultation and knowledge exchange work aligned with our four key themes:
As we tentatively emerge from our third lockdown in the course of the strangest of years it is possible to glimpse the ways in which our cultural lives might be returning to some kind of ‘normal.’ For example in recent days, we have seen the first steps towards the return of audiences and participants at sporting and social events. Mark Selby lifted his fourth World Snooker Championship crown in front of a capacity crowd in Sheffield; football has been played in front of fans, V&A Dundee welcomed visitors back with an exploration of the relationship between club culture and design: Night Fever, Designing Club Culture and some of Liverpool’s clubbers were able to dance a night away while simultaneously providing an opportunity for policy advisors and policy makers to test the waters regarding wisdom of enabling us to emerge from lockdown and make a return to our former patterns of cultural and social engagement. In these events – and the managed return to co-proximity and co-presence that they signify – it’s possible to recognise and return to what can seem as a former life (though, Brighton Pride has been cancelled for the second year running demonstrating that the route back to ‘normality’ is not free of obstacles). (more…)
During the 1980’s and 90s, when social enterprise was an innovative concept in Scotland, Strathclyde Regional Council, Objective 3 Partnership and the Scottish Centre for Regeneration were surprised when Fablevision board members thanked them for turning down applications for funding on the grounds that we were ‘not sustainable’. Having funding bids rejected forced Fablevision artists, like most other creative practitioners, to develop other, entrepreneurial business models that would allow them to continue their practice without compromising their vision or values and we thanked them for forcing us to be independent. Over the ensuing decades, Fablevision inherited furniture from Strathclyde Regional Council when they shut up shop; computer equipment from Objective 3 Partnership when they closed and co-created learning materials on the demise of the Scottish Centre for Regeneration. The ‘unsustainable’ small cultural social enterprise outlasted all the big beasts. Like other small cultural organisations, we were light on our feet – able to adapt and pivot creatively and meet the new requirements of whatever adverse social/economic/political circumstances presented. There is a joke in community based cultural practice that practitioners of these arts are like ‘cockroaches will be after the nuclear holocaust – they will be the only living things to survive’. (more…)