Big Questions & Resourceful Answers: V&A Dundee’s Covid 19 Response

Big Questions & Resourceful Answers: V&A Dundee’s Covid 19 Response

In response to the COVID-19 pandemic and resulting lockdowns, many museums developed and put in place online digital offerings. This prompted quite a lot of handwringing and self-reflection across the sector, as well as for me personally. I immediately felt slightly guilty – what is the point of a museum? Is it really that important? Is it relevant? Who are we for? Why are we here?

Big questions… (more…)

Illuminating a Dark Theatre: Arts, Community, COVID19, Theatre, Cultural Heritage, Culture, Digital

Illuminating a Dark Theatre: Arts, Community, COVID19, Theatre, Cultural Heritage, Culture, Digital

On September 1939, at the start of the start of World War II, the government ordered the closure of all theatres throughout Britain, fearing that large congregations of people would be susceptible to aerial bombardment.  It was quickly realised that theatres were vital to the morale and wellbeing of the general public and The Gaiety Theatre, Ayr  was the first in Britain to open its doors providing welcome entertainment to the public and troops stationed locally. (more…)

Recovery, Repair & Renewal: The role of arts and culture in the future of urban places

Recovery, Repair & Renewal: The role of arts and culture in the future of urban places

The Centre for Culture, Sport & Events is delighted to invite you to our virtual annual conference. The event ‘Recovery, Repair & Renewal: The role of arts and culture in the future of urban places’ will take place on Wednesday 9th June 2021.

The Centre for Culture, Sport and Events, CCSE, undertakes research, consultation and knowledge exchange work aligned with our four key themes:

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Post-Pandemic: The Cockroaches of the Cultural Sector

Post-Pandemic: The Cockroaches of the Cultural Sector

During the 1980’s and 90s, when social enterprise was an innovative concept in Scotland, Strathclyde Regional Council, Objective 3 Partnership and the Scottish Centre for Regeneration were surprised when Fablevision board members  thanked them for turning down applications for funding on the grounds that we were ‘not sustainable’.  Having funding bids rejected forced Fablevision artists, like most other creative practitioners, to develop other, entrepreneurial business models that would allow them to continue their practice without compromising their vision or values and we thanked them for forcing us to be independent. Over the ensuing decades, Fablevision inherited furniture from Strathclyde  Regional Council when they shut up shop; computer equipment from Objective 3 Partnership when they closed and co-created  learning materials on the demise of the Scottish Centre for Regeneration.  The ‘unsustainable’ small cultural social enterprise outlasted all the big beasts. Like other small cultural organisations, we were light on our feet – able to adapt and pivot creatively and meet the new requirements of whatever adverse social/economic/political circumstances presented. There is a joke in community based cultural practice that practitioners of these arts are like ‘cockroaches will be after the nuclear holocaust – they will be the only living things to survive’.    (more…)

#CCSEConversations: Conversations Archive

#CCSEConversations: Conversations Archive

At CCSE, we began our conversations series in the autumn of 2020. The seed for these discussions was planted at our virtual conference in May 2020. This event – Festivals, Events & COVID19 – was an opportunity to explore and discuss the impacts of the pandemic across on aspects of arts and cultural praxis. At CCSE we were keen to find a way to continue these discussions, and to provide a platform for ongoing consideration and discussion of the ways in which the pandemic could and would change the ways that we approach and experience arts, culture, sports and aspects of travel and tourism that insect with the areas of interest for CCSE. (more…)

GlasGLOW: Parks, Commercial Events and the Pandemic

GlasGLOW: Parks, Commercial Events and the Pandemic

This week’s reblog revisits Séverin Guillard’s reflections on the 2020 edition of GlasGLOW

For the third year in a row, the Glasgow’s Botanic Gardens was the site for a commercial event, GlasGLOW, organised by the Scottish PR and event management company Itison. GlasGLOW is a sound and light extravaganza which aims, through a walk in a well-known public park in the city’s West End, to immerse attendees in a fantasy universe. While the 2019 edition displayed successively different thematic “worlds” focused on diverse topics such as Halloween, aliens, or a Stanger Things-inspired labyrinth, the 2020 edition was focused on the singular theme of superheroes, illustrated by the event’s motto: “the power within”. (more…)