The Perfect Storm

The Perfect Storm

In the last week I’ve heard the term ‘the perfect storm’ on repeat, from multiple sources, in relation to the perceived threats to Scottish arts organisations’ future existence. This weather-related metaphor was used in the press release relating to the closure of the Centre for Moving Image – the parent company for the much-loved Edinburgh Filmhouse and the respected Edinburgh International Film Festival – which went into administration. The Chief Executive of the national arts funding body also used the term last week when giving evidence to the Scottish Parliament Culture Committee in relation to the threat of funding cuts. ‘Creative Scotland has warned MSP that a ‘fragile’ recovery from the pandemic has been ‘more than overtaken’ by a combination of rising costs, falling income and the impact of Brexit.’ (The Scotsman, 6 October 2022). Scotland’s National Galleries also found themselves caught in the storm last week that they say will lead to partial closures in the coming months. Pauline McLean also used the term to describe the general arts sector in Scotland on BBC’s flagship cultural programme Front Row (Front Row, 11th Oct, 2022).  (more…)