Originally posted on festspace.net, this blog is reproduced here with kind permission.
Barcelona’s FestSpace team has produced a short video to bring together the objectives of the research and to summarise its key outcomes. It includes the perspective of the five cities participating via the contributions of the principal investigators of the project, members of their teams and some stakeholders. (more…)
This Thursday, I complete my last day at UWS before I move back to France to start a permanent job as a Lecturer in Geography at the University of Amiens. As I have been a member of CCSE over the last two years as a Postdoctoral Fellow on the FESTSPACE project, I thought that it would be a good time to pen some reflections on my time here. In this post I’ll discuss the role it has played in my trajectory as a researcher and share some of the outcomes of the work that I undertook with the CCSE team. (more…)
As Easter approaches and as we enter the second spring in which the restrictions brought about by the onset and continuation of the COVID19 pandemic, it is interesting take a moment of pause to reflect on the activities undertaken and progress made at CCSE.
Though the majority of colleagues active within CCSE have now been working from home for a year, through the Centre they have nevertheless continued their active engagement in areas of research, practice, policy and study that are of principle importance for CCSE’s remit. Furthermore, much of the activity undertaken has been recorded in posts to our weekly blog. (more…)
I was invited to contribute to a conference organised by The Cockburn Association titled ‘Whose Festival is it Anyway’ on Saturday 31st January. The conference featured panels exploring Edinburgh’s Festivals – past, present and future. I participated in a panel chaired by well-known broadcaster, Stephen Jardine, focused on Cultural Tourism and the Festivals: What will be the ‘new normal’? The panel discussion can be accessed on the Cockburn Association’s YouTube channel. This conference built on a large public meeting held in January 2020, City for Sale? The Commodification of Edinburgh’s Public Spaces which I also spoke at. The theme of festivals, public space and the city is the focus of a large research project, Festspace, that I lead, which is funded by the Humanities in the European Area (HERA). (more…)
This week’s reblog revisits Séverin Guillard’s reflections on the 2020 edition of GlasGLOW
For the third year in a row, the Glasgow’s Botanic Gardens was the site for a commercial event, GlasGLOW, organised by the Scottish PR and event management company Itison. GlasGLOW is a sound and light extravaganza which aims, through a walk in a well-known public park in the city’s West End, to immerse attendees in a fantasy universe. While the 2019 edition displayed successively different thematic “worlds” focused on diverse topics such as Halloween, aliens, or a Stanger Things-inspired labyrinth, the 2020 edition was focused on the singular theme of superheroes, illustrated by the event’s motto: “the power within”. (more…)