The arts and health sector is being mapped out by potential funders using a tight definition. Creative Scotland sees this activity as being led by professional artists, with explicit artistic and health/wellbeing objectives, and designed to improve health and wellbeing. What activities could be missed by this definition? In particular what arts, culture, health and wellbeing outputs emerge when none of these terms are targeted or defined. (more…)
In the past 3 and half years, I have been investigating the Tokyo 2020 Olympic Games as a soft power tool. I have taken a holistic approach in the context of understanding my case study, this holistic research approach arose because I have never travelled to Japan and I have never experienced the Japanese culture in reality. My views on Japan and its culture stem from an external Influence of playing Japanese-related video games and watching TV series. However, I have planned to travel to Japan for data collection and to experience, in reality, the Japanese culture and way of life. It turned out that the negative factors of globalisation had a different plan for my research, with the spread of Covid-19 and the subsequent pandemic. The emergence of Covid-19 meant that I could not travel to Japan, I could not attend the Olympic Games and collect data for my research. (more…)
CCSE Director Professor Gayle McPherson and Centre members Solomon Ilevbare and I travelled to Manchester on the afternoon of Wednesday 19th October. After checking in to our hotel and getting settled, we headed out for a bite to eat in Chinatown, sampling some authentic cuisine in the form of a ‘Hot Pot’- safe to say some can handle spice more than others! After a lovely dinner, we retired to the hotel, well-fed and prepared for an early start. (more…)
In the last week I’ve heard the term ‘the perfect storm’ on repeat, from multiple sources, in relation to the perceived threats to Scottish arts organisations’ future existence. This weather-related metaphor was used in the press release relating to the closure of the Centre for Moving Image – the parent company for the much-loved Edinburgh Filmhouse and the respected Edinburgh International Film Festival – which went into administration. The Chief Executive of the national arts funding body also used the term last week when giving evidence to the Scottish Parliament Culture Committee in relation to the threat of funding cuts. ‘Creative Scotland has warned MSP that a ‘fragile’ recovery from the pandemic has been ‘more than overtaken’ by a combination of rising costs, falling income and the impact of Brexit.’ (The Scotsman, 6 October 2022). Scotland’s National Galleries also found themselves caught in the storm last week that they say will lead to partial closures in the coming months. Pauline McLean also used the term to describe the general arts sector in Scotland on BBC’s flagship cultural programme Front Row (Front Row, 11th Oct, 2022). (more…)
The hashtag #Shedders is one that is gaining recognition nationally. It denotes the steadily rising Men’s Shed community, a community focussed on supporting men’s mental health and wellbeing.
Men’s Sheds are now being recognised all over the UK and Scotland, with organisations such as the Men’s Sheds Association providing support and guidance in the establishment of local men sheds that are community-driven and member-led entities (Men’s Sheds Association 2022). (more…)